LeRoy Print Packs began in 1999 in a single, modest room with a small offset machine and an outsized belief — that quality, consistency, and craft would speak louder than any sales pitch. Twenty-five years on, that quiet conviction has grown into one of north India's most trusted print and packaging operations.
The first machine was a single-colour offset, run out of a small workshop on the outskirts of Hoshiarpur. The work was modest — wedding cards, local pharma cartons, the occasional book block. But the standard set in those early years has not moved since: if a sheet is not fit to leave the dispatch dock, it does not leave the dispatch dock.
A second press came in 2004, then a corrugator, then a foil stamping line, then a Heidelberg six-colour. By 2015 the operation had outgrown its original shed and moved to its current Hoshiarpur facility — one office block and three production sheds, totalling more than 50,000 square feet of covered floor.
Today, more than fifty machines run across four full departments — printing, corrugation, post-press, and signage. The customers have grown with us: multinational FMCG, garment exporters, automobile suppliers, pharma distributors. Brands that started with a single trial run and have stayed for fifteen, twenty years.
The building has changed. The standard has not.
Est. 1999
A 25-year journey of uncompromising quality, technological evolution, and precision engineering.
No factory. No team. Just one person, four walls, and a hand screen printing setup in a room most would overlook. But within that room lived a vision nobody else could see yet. The first offset press arrived in 2000 — a single colour, a single machine, a single-minded obsession with doing things right. LeRoy Printing Press was born. And it was just getting started.
Five years in, and LeRoy didn't just grow — it disrupted. A double-colour press. A real office. And a wedding card revolution that made the entire industry in Hoshiarpur stop and take notice. Competitors were printing. LeRoy was crafting. That difference — between producing and creating — became the foundation everything else was built on.
What began in a single room now had a full factory floor, a city office, and a 4-colour press — one of the finest machines in the industry — commanding the space. Digital printing joined offset. The operation had scale now, but the standard never moved. Every sheet leaving the floor had to be worthy of the name on the door.
Colorz was incorporated at Focal Point Industrial Area — a dedicated plant for packaging, die-cutting, and finishing. This wasn't expansion for the sake of size. It was expansion for the sake of capability. Because when your clients trust you with their brand, you owe them more than a good print. You owe them perfection at every edge, every fold, every finish.
A corrugation plant came next — master mono cartons, structural packaging, the kind of work that doesn't just look good but protects what's inside. Then an automatic die cutter. A 3-ply flute laminator. Machine by machine, capability by capability, LeRoy was building something far larger than a print shop. It was becoming infrastructure.
Every factory around us went quiet. LeRoy chose differently. Not a single worker was left behind. The team stayed together — because this was never just a business. Twenty years of building something meant twenty years of building people too. When it mattered most, we protected what mattered most. That's not a policy. That's a value.
A bigger plant. A bolder name. A Heidelberg SM 102 six-colour press — the kind of machine that signals you are playing at a different level entirely. A 5-colour MOF. An automatic 5-ply flute laminator. From one room in 1999 to a full-scale manufacturing operation in 2023 — this is what two decades of refusing to cut corners looks like. This is what it means to grow without ever compromising.
An automatic folder-gluer. Then Labelify Pvt. Ltd. — a new company, a new vertical, stepping into labels, shrink sleeves, and flexible packaging. The same obsession with quality. A whole new canvas to express it on. Twenty-six years from a hand screen in a small room to a multi-plant, multi-company operation. And still, the best work is yet to come.
Continuing the legacy of precision
Not by volume. Not by price. By the quiet, undeniable authority of twenty-five years of sheets that simply did not fail.
Between a brand's imagination and a customer's hand lies a territory most printers ignore. We have occupied that territory for twenty-five years — so that when your packaging arrives, it requires no explanation. It simply is what you meant.
Offset, corrugation, post-press, and signage in a single facility. No outsourcing, no hand-offs, no excuses.
Two German offset presses with inline coaters, backed by twin German guillotines. Colour fidelity that does not drift between sheet one and sheet ten thousand.
Every flute profile produced and laminated in-house — including F flute micro-corrugation, a capability very few houses in Punjab offer.
Send the artwork, the substrate, the volume, and the deadline. We come back inside one business day with a fixed price and an honest production window.
Digital proof, then a physical strike-off on your exact substrate. Pantones matched, dimensions confirmed. Nothing on press until you sign it off.
Every job, every shipment. Visual inspection under colour-controlled lighting before pallets leave our dispatch dock.
Trucks leaving Hoshiarpur every day for Delhi, Ludhiana, Mumbai and beyond. Climate-controlled stores, count-verified, palletised, and on schedule.
Multinational FMCG, garment exporters, automobile suppliers, and pharma distributors who simply cannot afford a misprint — and have stayed for two decades.
We are not the cheapest in the market and never claimed to be. We are the most defensibly priced for the quality you receive — every line item explainable.
Twenty-five years of presses, four production departments, and a team that picks up the phone. Dispatch from Hoshiarpur, anywhere in India.